Posts Tagged narrative
“The medium is the message” is a phrase coined by Marshall McLuhan meaning that the form of a medium embeds itself in the message, creating a symbiotic relationship by which the medium influences how the message is perceived. (from Wikipedia)
The more I think about this issue of medium, the more unsatisfied I am with the way that medium of production is dealt with in the English curriculum.
While English teachers continue to be led by debate over the definition and role of Literature in English, and over the best way to teach language, questions of medium have been significantly sidelined.
It also seems clearer to me now why subjects like Drama and Media (content areas that technically sit under the umbrella of English, if you accept that English is a study of how meaning is made through language and texts) go off and take up their own space in many curriculum. It’s not just because those fields have their own traditions and pedagogies that need space, or because they have industries that create an economic drive for the subjects to continue. It’s also because those field require keen attention to production elements, including issues of medium.
Little wonder that Drama, which often deals with live performance of language, dies a slow death in English classrooms where the curriculum is still dominated by print literacy.
Little wonder that we still can reconcile the gulf between ‘literary’ and ‘digital/electronic’ texts in the Australian curriculum (medium is not a genre!)
To move anywhere with this line of thinking will require some careful thought about the overlap between the words:
- media as-in-the-artisitic-means-of-production and
- Media as-in-the-field-of-media-studies.
OK, so I’m not Catholic.
You can get the information here: http://www.naplan.edu.au/writing_2011_-_domains.html
Let me say straight up that I love persuasive writing. I love essays, I love speeches, I love editorials. I love persuasive language. One of my favourite units to teach is our Year 11 unit ‘Voices of Protest’ where students explore persuasive writing forms and techniques through a close study of a speech and related protest poems.
What I don’t love is the way that Stage 6 English buries imaginative writing within an Area of Study and Modules that are in reality oriented toward responding to the texts of others.
I also don’t love the fact that in the HSC, students in the mandatory 2 unit English are only examined on imaginative writing in any form in ONE out of the SIX exam sections. The way I see it, both in my teaching and through everything I have researched so far, doing so constitutes a ‘hidden curriculum’ that devalues student imagination and decreases the time teachers can spend on creative language skills.
At least we had NAPLAN, eh?
At least it was there as an externally managed assessment of student literacy and language that signalled the importance of the creative. The importance of imagination. The importance of the lyrical, the figurative and of imagining other worlds.
Not any more.
And so the message is clearer than ever – essays rule the roost. Get your kids started early on perfecting their persuasive writing, lest they struggle with HSC exams!
I challenge anyone from ACARA, or any of the Education Ministers who were at that MCEECDYA meeting where Narrative got the boot to explain that this decision had anything to do with ‘just mixing things up’. Anything whatsoever to do with providing a balance between persuasive and narrative writing in the assessment of curriculum. Because if they really do think so…well, it’s gotta be time to review the balance in the HSC, no?
I was so excited to catch my third 12 word story displayed on the 12Words homepage! All stories appear there briefly, I think, but I never saw my first two go up. Thought this one would be especially good to share, as I think it’s something with which many teacher-types will identify with – if not the smoking or coffee, at least the sentiment!
Let me know if you are using this with your students, or if you are writing for this project too. I made a handout for students in my class (click to download), using information lifted straight from the 12Words website – why don’t you make a few copies and hand them out in class? Or in a Faculty meeting 🙂
The objective is to use 12 words or less to “tell a story, convey a mood, or give a glimpse at a person”. You can only submit one story per week. These are the two I have submitted so far:
My suggestion to other teachers in my faculty is going to be that we:
- All English teachers write a 12 words story, and students vote for favourite
- All students write a 12 words story, and these are collected end of each day and put up on a noticeboard for all to read
- Depending on interest, we could also offer book prizes for best student stories, judged by Head Teacher!
I just love this idea, and am going to promote it to all of my classes 🙂
Came across this excellent animated lecture by Daniel Floyd on Jawbone.tv. Perfect for an introduction to narrative in videogames for my Year 9 class. I think I’ll make a listening task for it – will post it up if I do.
An update on how things are coming together for my unit of work on Narrative, which combined more mainstream print and visual texts with ‘new technology’ texts.
The texts I have selected to study are:
- The Raven – Edgar Allen Poe (poem)
- And antoher thing – Anthony Dennis (Sunday Life opinion article)
- The Curious Incident of the Dog in the Night-time – Mark Haddon (novel)
- Fairytale and fable selection, possibly using a webquest
- Fox – Margaret Wild (picture book)
- Inanimate Alice (multimedia)
- and, if time permits, The Castle – Working Dog / Sitch (film)
After/while studying these texts, students will be creating their own narrative compostions:
- An individual digital story on the theme ‘Dreams and Nightmares’ (term 2)
- A group drama enacting a fairytale of students own choosing (term 2)
- A short story using hypertext to link to flashbacks in the story (term 3 – using new laptops)
I’m loving teaching this unit – so far we’ve looked at the poem and the magazine article, and are now reading Curious Incident…if we finish looking at the book by the end of week 5, that will leave plenty of time to look at the other texts (not a ‘close study’ – just exploring select aspects of narrative) and do some work on the assessment projects.
More updates to come!