Posts Tagged curriculum

Products and projects in QLD senior English

I have cause today to be trawling through the glossary in the new Queensland senior English syllabus, and these two terms caught my eye:

Screenshot remix using QCAA senior syllabus glossary

Making a note here, to remind me I have these terms in place to talk with senior English teachers about project based learning.

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‘English’ and ‘literacy’

The following is an extract from my PhD thesis, part of a series I am publishing on this blog discussing the background of some contested territory in English curriculum.

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‘English’ and ‘Literacy’

Beyond the historical tensions between definitions of ‘English-as-Literature’ and ‘English-as-Language’ is the increased focus in more recent times on the role of English in developing students’ ‘literacy’. In the contemporary context, conversations about language have been largely overtaken by conversations about literacy. While literacy has traditionally been defined as “the ability to read and write the language” (Misson, 2005, p.38) the growing recognition of electronic, visual and multimodal elements in texts has led to a definition of literacy that expands beyond the written, printed word. In a large scale literacy review for Education Queensland, literacy was more broadly defined as “the flexible and sustainable mastery of a repertoire of practices with the texts of traditional and new communications technologies via spoken language, print, and multimedia” (Luke & Freebody, 2000, p.9). This conceptualisation of literacy as ‘repertoires of practice’, and of the literate person as what Misson describes as having learned “skill to crack particular codes” has made it easy to adopt metaphoric uses of the word literacy, such as in the terms ‘visual literacy’, ‘musical literacy’, ‘computer literacy’ and ‘emotional literacy’ (Misson, 2005, p.38).

A recent report by The Audit Office of NSW (2008, p.2) describes how in the past decade the NSW Department of Education and Training has spent a significant amount on programs designed to improve students’ literacy and numeracy, tripling its 1998-9 levels of program funding to a total $157 million in 2006-7. In NSW there can be seen an emphasis on teaching literacy skills to prepare students for literacy testing through external examination such as the Basic Skills Test that was conducted in NSW primary schools in years 3 and 5, and the English Language and Literacy Assessment (ELLA) exam paper that was mandatorily undertaken by NSW high school students in Year 7, and optionally taken again in Year 8. These external tests have now been replaced by the National Assessment Program for Literacy and Numeracy (NAPLAN), a similar diagnostic test that is now sat by students across Australia, not just in NSW. This focus on raising standards of literacy (along with numeracy) and the associated focus on literacy assessment in NSW echoes the international shift toward government policies that demand higher success rates in literacy assessment, for example the No Child Left Behind policy in the U.S. and the National Literacy Strategy in the U.K.

However, while literacy has grown as a priority for policymakers in Australia and internationally, the relationship between literacy and the subject English and the role of English teachers in ensuring and maintaining standards of literacy is uncertain. In recent decades education policy in Australia has positioned literacy as a cross-curriculum issue with teachers in all subject areas given responsibility for the teaching of skills in reading and writing as part of their regular classroom work. However the movement to promote curriculum learning areas as having a vital role to play in students becoming literate “appears to have been largely unsuccessful”, with many teachers withdrawing from seeing literacy teaching as part of their responsibility (Yaxley, 2002, p.27). This is arguably due to the fact that most teachers in other curriculum areas have not had access to high quality professional learning in the teaching of reading (Australian Association for the Teaching of English, 2005, p.26).

Furthermore, more recent research has shown that while teachers in subject areas other than English have not generally engaged with a focus on literacy, that schooling success may in fact depend more on the ability of students to cue themselves into particular ‘curriculum literacies’. One of the recommendations of research undertaken by Cumming and Wyatt-Smith et al. (1998) was that schools “move away from the notion of ‘literacy across the curriculum’” and instead, engage students in learning “the accepted subject- and context- specific ways of reading, writing, speaking, listening, viewing, doing and thinking, and how they can be combined, as occasion demands” in different subjects (Wyatt-Smith, 2000, p.76). Although this new understanding of the function of curriculum literacy may eventually see teachers across the curriculum engaging with certain acts of what they see as more relevant, subject-specific literacy, extra pressure has been returned to English teachers to again take responsibility for developing students’ general literacy skills. This may seem logical to some given the language-based subject matter of English, however Green (2002) argues that “English should not be seen as the sole curriculum area charged with responsibility for literacy; rather, it has its own substantive curriculum concerns, as indeed does each and every subject” (p.27).

Useful and enduring models for conceptualising the place of literacy within English as a discrete subject have been proposed by Freebody and Luke (1990) as well as Green (1988). Green offers a model of literacy that draws on the discourses of functional literacy, cultural literacy and critical literacy to delineate three dimensions of literate practice and learning: the ‘operational’, the ‘cultural’ and the ‘critical’ dimensions of literacy. While Green explains that students can take any of these dimensions as a starting point (as long as all three dimensions are taken into account) he also contends that there is pedagogical value in starting with the cultural dimension and “drawing the critical and the operational in organically, as the need arises” (2002, p.28). Using this model Green (2002) proposes a special ‘literacy project’ for English as a school subject, where various domains of text – literature, media and everyday texts – provide content that is not covered elsewhere in the school curriculum, and which allow attention to be paid to all three dimensions of literacy. The focus of such a literacy project is the exploration of meaning-making, “in a complex sense that brings together structure and agency, discourse and event, content and text” (Green, 2002, p.29).

The ‘four resources’ model developed by Luke and Freebody, which was referred to earlier in this chapter, provides a similar model of similar inter-related dimensions that has become influential in Australian curriculum policy and design. This model provides a framework for understanding how effective literacy “draw on a repertoire of practices” that allow learners to engage with print and multi-media texts as ‘code breakers’, ‘text participants’, ‘text users’ and ‘text analysts’. These resources are described in the Table below:

TABLE: REPERTOIRES OF PRACTICE IN THE ‘FOUR RESOURCES’ MODEL (LUKE AND FREEBODY, 1999)

TABLE: REPERTOIRES OF PRACTICE IN THE ‘FOUR RESOURCES’ MODEL (LUKE AND FREEBODY, 1999)

As with Green’s operational, cultural and critical dimensions, it is imperative that the four resources in Luke and Freebody’s model are seen as inter-related and interdependent. Such models provide English teachers with a rich framework that goes beyond the decontextualised language drills that were resisted during the twentieth century, and positions literacy as a set of embedded (rather than competing) practices within the English curriculum.

References:

Australian Association for the Teaching of English. (2005). The Australian Association for the Teaching of English’s submission to the National Inquiry into the Teaching of Literacy. Idiom, 41(1), 21-27.

Cumming, J. J., Wyatt-Smith, C. M., Ryan, J., & Doig, S. (1998). The literacy curriculum interface. Canberra: DEETYA.

Green, B. (1988). Subject-specific literacy and school learning: A focus on writing. Australian Journal of Education, 32(2), 156-179.

Green, B. (2002). A literacy project of our own? English in Australia, (134), 25-32.

Luke, A., & Freebody, P. (1999). A map of possible practices: Further notes on the four resources model. Practically Primary, 4(2), 5-8.

Luke, A., & Freebody, P. (2000). Literate futures: Report of the literacy review for Queensland state schools. Education Queensland.

Misson, R. (2005). The origin of literacies: How the fittest will survive. English in Australia, (142), 37-46.

The Audit Office of NSW. (2008). Improving literacy and numeracy in NSW public schools: Department of Education and Training performance audit (No. 183).

Wyatt-Smith, C. M. (2000). The English/Literacy interface in senior school: Debates in Queensland. English in Australia, (127-128), 71-79.

Yaxley, B. (2002). Literacy and English education: Insights and possibilities. Opinion, 46(2), 19-32.

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If students designed their own schools…

Chatting in the mid-year break with Bianca and some other PBL-peeps, this video was recommended to me. It’s only 15 minutes long, and now I’m recommending it to you too:

The video shows what can be done in a school where teachers and leaders are prepared to really let students design their own learning. Like, really let them do it.

The students in this alternative academic program design their own Independent Learning Projects (that they report on weekly to other students), as well as their own Individual Endeavours (ambitious term-long projects, e.g. learning to play the piano and putting on a recital).

Something that interested me was, about 1 minute in, one of the students explained that in the course they look at “the four main bodies of learning”:

  • English
  • Math
  • Social Sciences
  • Natural Sciences.

Make no mistake – I was totally inspired by this video and even showed it to my students this semester. So inspired, that I changed our first assignment to be based on completion of an Independent Learning Project! But when those four areas are offered up as the “main bodies of learning”, I can already see points of tension for making this kind of program work across the board. What of the other learning areas? What of health and physical education? What of the arts? Foreign languages?

Without engaging with conversations about what is ‘essential’, ‘core’, or ‘fundamental’ in education – and working out some kind of common goal or philosophy to anchor us – I suspect alternative programs like the one featured here will (continue to) struggle to gain traction.

Although these programs aren’t (yet) the silver bullet we need to shed our teacher-centred shackles, I believe bringing these approaches into our teaching is vital.

Personal take-away thoughts:

  • Students have passions and interests that they are entitled to pursue.
  • Students are capable of designing their own learning, if we give them some parameters.
  • Students are more motivated to learn when they have some control in devising the questions for investigation.
  • Independent learning approaches seem an immediate good fit for students like this (this is is a class of nine Honours students, who self-selected into the program), but would disengaged or recalcitrant students need more scaffolding?
  • Doing my own Independent Learning Project in high school was a transformative experience for me. It was called a ‘mini thesis’ by my teacher, and I chose to study the French Revolution. I did this for just one term in just one subject – surely this is achievable across the board without rethinking our whole approach to schooling?

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Teaching English using textual concepts

I know I just finished saying that my blog would mostly be used for PBL reflection in the near future.

But there is a new resource available for English teachers and English curriculum boffins that I must share immediately.

The English Teachers Association NSW, in partnership with the NSW Department of Education, have created a resource for programming in K-10 English.

It is organised in ‘stages’ (rather than in year levels), but once you get your head around stage 5 = year 9 & 10, stage 4 = year 7 & 8, and backward in pairs from there, you will get the picture.

English Textual Concepts - 'The Textual Concepts and Processes resource'

English Textual Concepts – ‘The Textual Concepts and Processes resource’

The creators of this resource analysed the NSW English syllabus (which in theory maps on to the Australian Curriculum) to identify core concepts and processes implied by the curriculum documents.

The 15 ‘textual concepts‘ are:

  1. argument
  2. authority
  3. character
  4. code and convention
  5. context
  6. genre
  7. connotation, imagery and symbol
  8. intertextuality
  9. literary value
  10. narrative
  11. perspective
  12. point of view
  13. representation
  14. style
  15. theme

And the six ‘learning processes‘ are:

  1. understanding
  2. engaging personally
  3. connecting
  4. engaging critically
  5. experimenting
  6. reflecting
First six concepts, with learning processes represented across.

First six concepts, with learning processes represented across.

There are questions that jump to mind for me when looking at this resource, including:

  • how are the ‘learning processes’ intended to interact/overlap with the ‘general capabilities‘ in the Australian Curriculum?
  • where do ‘language mode’ and ‘medium of production’ fit into these concepts? Is it in ‘code and convention’, or…?

Overall I am excited by this contribution to English curriculum understandings. The conversations it will make possible between primary and secondary English are especially promising!

I highly recommend a look.

How might this approach to English subject content (knowledge and skills) interface with the curriculum (Australian Curriculum or otherwise) being used in your area? It’s been designed for NSW obviously, but could it have application beyond there?

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Risk-taking and risk-aversion in teaching

Happy 2014 to all! It seems I inadvertently took a blog break over summer holidays – a break from most things digital, in fact. I’m back in the swing of things now though, with a head full of ideas and energy stores replenished. Who knew I was so tired after 2013? Well OK, I did. Now you do too 😉

So, this is my fourth year at my job as a lecturer. How time flies eh? Reflecting on my time so far I can confidently say that I’ve continued the spirit of innovation I had as a high school teacher into my university teaching. I’ve pushed forward with using social networks to support student learning, with developing project-based learning pedagogies, and with developing blended learning experiences including wiki work and blog-based assessment.

But this week when I was offered a chance to trial a new technology with my class, I turned it down.

There are any number of reasons that teachers say ‘yes’ or ‘no’ to trying something new. Watching this keynote by Sarah Howard from 2012 today gave me a chance to reflect on my own tendency to be a risk taker in my practice – I usually see the benefits of innovation as outweighing the costs:

…and boy last semester there were some costs. Some cyberbullying from a student really put a damper on my teaching with Twitter, and right at the end of last year I experienced a big delay in giving students assignment feedback after a swathe of electronic assignment files got deleted. Further technology fails ensued as I struggled to negotiate student assignment return via Blackboard, our university LMS. It was a nightmare, and a confidence shaker.  In a university teaching context where a whole semester of awesome learning can be overshadowed by a single student complaint to the wrong person, I ended 2013 wondering if all my efforts were ‘worth it’.

Fortunately I value innovation and creativity to such an extent that taking risks in pursuit of better practice is still worth it to me. In her keynote Howard explains that people are less likely to take a risk to pursue something they see no value in, which makes sense really.

I guess the shift for me will not be from being a risk-taker to being ‘risk-averse’ – I haven’t had the stuffing beat out of me quite hard enough yet to be averse to risk! For me the shift will be from high-stakes to more low-stakes risk; rather than pushing the boundaries with a wildly new practice I’ll be consolidating and refining my current pedagogies and taking stock of where I want to go with my teaching in 2015. Which will be nice timing, given the massive course changes we are implementing next year (PS. in six months if I disappear completely, somebody please come find me, I may be perishing under a mountain of new unit outlines…).

Do you see yourself as a risk-taker in your teaching? How risky are you planning to be in 2014?

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Inspiring PBL unit outlines from #CLP409 students!

This semester I modified my unit planning assessment for CLP409 (Secondary English Curriculum Studies 2) based on the outline developed by Bianca Hewes. You can see the 40 fantastic project outlines by her fabulous #EDMT5500 students on her blog.

Bianca developed her ‘Inquire, Create, Share’ model for project-based learning (PBL) units after finding that planning PBL units needed to involve more visible teaching and explicit structure to ensure students learned required knowledge and collaboration skills.

As I see it, this approach is a variation of existing models that suggest units of work be designed around phases of ‘Orientate, Enhance, Synthesise’. These particular verbs are popular in Queensland Schools, and can be found as one of two recommended unit planning frameworks on the QSA website.

The two things that I love about the unit framework that Bianca has developed are:

  1. It provides a structure for PBL units that takes on the narrative flow I find so natural in teaching – there is a clear beginning, middle and end in these units.
  2. The shift in verbs used to drive learning activity is important; activities to ‘Orientate, Enhance and Synthesise’ could still be very teacher-centered but ‘Inquire, Create, Share’ and similar verbs deliver an imperative to engage student-centered learning and project sharing.

Following Bianca’s lead I am posting my Assignment Task Sheet here for all to see, and below you will find some of my students’ finished products, reproduced with their permission.

CLP409 2013 Assignment 1 Task Sheet

Task sheet for CLP409 Assignment 1

Please notice that I used the same Driving Question as Bianca, ‘How can I create a project for English that will help my students own their learning?’, and that I retained some of the structure of her original project as well. Some things I did a bit differently were: adding an essay writing component where students justified their choices using scholarly and professional literature; requiring students to refer to Australian Curriculum elements rather than ISTE NETS and professional standards; providing models of other assignments.

Of course, I could only provide my class with models of assignments because Bianca’s students had been willing to publicly share their work in the first place. So a big THANK YOU to those fabulous (and generous) #EDMT5500 students, and to the University of Sydney, for making their work available to the world 🙂

Sam Mason:

Sam Mason CLP409 Unit Plan 1

Chloe McIntosh:

Chloe McIntosh CLP409 Poster1

Ben Niland-Rowe:

Ben Niland-Rowe CLP409 poster

Emma McVittie:

Emma McVittie CLP409 A1_poster

Toni Petersen:

Toni Petersen CLP409

Miranda Clignett:

Miranda Clignett Final poster image

 

Sarah Smith:

Sarah Smith Macbeth unit poster 2013

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Classes start tomorrow!

The week we’ve all been waiting for, week one of the university semester, is finally here!

This semester, I will be focussing on the following areas of my English Curriculum Studies unit for development:

  • Building in more support for student reflective writing. The design of my lesson planning assignment last year included a tutorial presentation of the key teaching strategies, but it didn’t really work that well. So I plan to change this element of the assessment to a written reflection, and add two targeted activities to tutorials in mid-semester to more constructively scaffold the task.
  • Finding places to make connections between English curriculum studies content knowledge and other professional frameworks. In particular I want to ensure that students understand how the Australian Professional Standards for Teachers can be used to self-diagnose areas of strength and directions for further learning, and are knowledgable about the Productive Pedgagogies framework that is advocated by Education Queensland.
  • Registration. After three years of running this unit it will be time to write up the final unit design, as well as a ‘scope and sequence’, so that the unit is ready to be passed on. At school we called this ‘registration’ – when the Head Teacher would check out your unit plans at the end of the semester and ensure you met your learning objectives. Here at uni there are other other mechanisms in place, but the Head Teacher check isn’t one of them. And official changes are made so sllllloooowwwlyyyy. So, for my own piece of mind, I’m going to put my own unit through a final tick-and-flick, then prepare my reflections and field notes for scholarly publication and sharing.

I’ve included below another classroom poster I’ve made, a visual resource to support my students’ engagement with the Productive Pedagogies – feel free to use and share (though note that the values/opinions expressed on it about alignment with ‘prac’ are only my own POV!).

Now…deep breath!

And once more into the breach!

Productive Pedagogies for Prac (image by Kelli, CC-BY-SA)

Productive Pedagogies for Prac (image by Kelli, CC-BY-SA)

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Storify – ACARA Senior English subject drafts #ozengchat

On 19th June I shared the role of leader/discussant with @vivimat in the 8.30-9.30pm Tuesday #ozengchat stream that takes place on Twitter.

The topic: the draft Senior English subjects proposed by ACARA.

You can check out the ‘Storify’ made by Vivian to see all of the tweets from the discussion that night collected in one place:

If you haven’t yet found where to download the draft curriculum documents from, here is the URL: http://www.acara.edu.au/curriculum/draft_senior_secondary_australian_curriculum.html

Consultation on these documents ends on 20th July, 2012 (THAT’S SOON!) You can contact your professional association to ask if you can add comments to their response, or lodge your own response at the ACARA consultation website: http://consultation.australiancurriculum.edu.au/ (you will need to register first).

Some interesting comments made during the #ozengchat were:

  • That an ‘English Literature’ (EL) course would flow nicely into university study
  • That the EL course did not look significantly more difficult than the ‘English’ (E) course
  • That the assumption is that in NSW, the current Standard course aligns with ‘English’ while the current Advanced course aligns with ‘English Literature’ – but this is not at all the case
  • That bridging the gap between Year 10 and Year 11 & 12 needs a stronger focus
  • That the proposal to organise Senior English into semester-long units seems to align with what currently happens in Western Australia…but we’re not sure where else (?)
  • That the local state/territory bodies would still be responsible for assessment and examination; i.e. many did not realise that the NSW BOS would still be responsible for setting the HSC reading list
  • That English Studies as exists in NSW (non-ATAR course) filled a big gap – the hope is that ‘Essential English’ (EE) turns out to be like English Studies (or English Communication, a similar course in QLD)
  • That English would likely remain mandatory in NSW, and people wondered why it was not so in other states/territories

There is so much more to talk about when it comes to the proposed Senior English subjects!

I hope to have a new post up soon with some of my personal thoughts about the drafts. In the meantime, if you’ve been thinking about (or wondering about) the curriculum ACARA has proposed, drop a comment here – let’s chat about it!

[View the story “#ozengchat for June 19th 2012” on Storify]

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My schmick new assessment design!

Teaching at university can be tricky, mostly due to the emphasis on summative assessment.

Since starting this position in 2010 I have been attempting to infuse the unit I coordinate with greater amounts of project-based learning. However, in a context where students have little time or incentive to engage with classwork that isn’t formally assessed, it has been hard to reward things like student project work.

After three semesters of teaching English Curriculum Studies 1 I decided that a radically new assignment was in order. 

Background:

Students used to do:

  • Assignment 1 – Personal teaching philosophy statement and resource analysis
  • Assignment 2 – Report on video lessons and learner needs observed
  • Assignment 3 – Junior secondary English lesson plans

All of these assessment pieces were completed individually – no collaboration was required and no public audience was utilised.

From this semester onward, students now do:

  • Assignment 1 – Personal teaching philosophy statement and resource analysis (same as before)
  • Assignment 2 – Junior secondary English lesson plans (now completed in small groups of 2 or 3)
  • Assignment 3 – A range of CHALLENGE TASKS published in a portfolio <– SCHMICK NEW TASK!

The New Task:

Many of the key ideas about inquiry-based and cooperative learning that I am working with can be found in a book extract provided by Edutopia: Teaching for Meaningful Learning by Brigid Barron & Linda Darling-Hammond.

Here is a brief extract – some words about project-based learning:

“Project-based learning involves completing complex tasks that typically result in a realistic product, event, or presentation to an audience. Thomas (2000) identifies five key components of effective project-based learning. It is: central to the curriculum, organized around driving questions that lead students to encounter central concepts or principles, focused on a constructive investigation that involves inquiry and knowledge building, student-driven (students are responsible for designing and managing their work), and authentic, focusing on problems that occur in the real world and that people care about.” (Barron & Darling-Hammond, 2008, p. 3; my emphasis)

What I’ve done in my new task is to create a poetry ‘project’ as one of 10 ‘challenges’ that students need to complete.

After trialling a poetry project last semester, I know that students see value in, and engage with this kind of learning.  But, at the end of the day, students felt let down because the work they put into their projects didn’t ‘count’ towards their final grade.

Once I started messing around with a new assignment that gave them credit for their project work, it was too hard not to design a whole suite of ‘challenges’ that they could choose to take up! So, that’s what I’ve done – students decide what grade they want to get, and complete the number of challenges needed to obtain it.

Challenge-based learning‘ as a term has not gained as much traction as ‘project-based learning’, but I think there is something to be said for the difference in terminology. In my teaching context, students are completing a ‘project’, but there is a minimum standard they have to reach to be able to ‘pass’ the assessment. Also, there is less focus on a ‘driving question’ than a PBL task would have – more of an emphasis on the products needing to be made. Hence my use of the term ‘challenge’ in the overall task.

The Challenges:

OK, the easiest way to show you the assignment is to share copies of my assignment sheets:

CLB018-CLP408 challenge portfolio task

A matrix of challenge tasks is provided for students to choose from in assignment 3. 

Students will receive a grade for Assignment 3 based on the number of challenges completed: 

  •  4 CHALLENGES COMPLETED = PASS
  •  6 CHALLENGES COMPLETED = CREDIT 
  •  8 CHALLENGES COMPLETED = DISTINCTION 
  •  10 CHALLENGES COMPLETED = HIGH DISTINCTION! 

CHALLENGE TASK peer assessment sheet

Note the peer assessment component of this task. This is something I am especially proud of, for a number of reasons! Not only am I hoping that this will result in a more sustainable marking practice for me (I will be checking/validating the peer marking, but no re-doing it), but it is also a strategy for getting the students to learn how to share their work and act as ‘critical friends’. I also think that having anopther preservice teacher assess your work in this context can be seen as providing an ‘authentic audience’ for student work.

Reflecting:

The student portfolios for this task are due next Friday, so I’ve yet to see how this new assessment plays out in real life.

One idea I have bubbling away about the teaching methods chosen is that ‘project-based’ learning can perhaps be broken down further as being either ‘inquiry-driven’ or ‘challenge-driven’ (and maybe even a third category, ‘play-driven’). But that’s a hierarchy that I’m still thinking through…

There is a lot going on here, I realise. But I’d seriously LOVE to hear feedback from my critical friends, including any students that end up reading this post 🙂

If you have any questions to ask, shoot them at me too! Obviously I’m quite proud of what I’ve constructed here, but in a few weeks it will be time to reflect again on how to improve for semester 2, so as they say…bring it!

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Finding my Threshold Concepts

This semester I have been engaing in the final cycle of my teaching and learning action research project – part of what I do here at QUT as an ‘Early Career Academic’.

‘Constructing a community of practice in English Curriculum Studies 1 – online and offline’

Action research cycle:

  • Planning and fact-finding: 2010, semester 2
  • Phase 1 action: 2011, semester 1
  • Phase 2 action: 2011, semester 2
  • Phase 3 action: 2012, semester 1
  • Report findings: 2012, semester 2

The buzz term for how to ‘do’ curriculum planning here at uni is constructive alignment. Anyone else having to use this term?

Basically, constructive alignment is what you do when you make sure your assessment tasks match your learning objectives, and that your lesson materials feed into this productively. (OK, so I slipped the word ‘productively’ in just there…can you tell I’m living in Queensland? Productive pedagogies, anyone?)

So, the first two phases of my action research have been all about getting the assessments to work for me and my unit, English Curriculum Studies 1. I inherited a bunch of learning objectives when I took on coordination of this unit, but in the end I found that the assessment tasks weren’t engaging students in the ways I knew could happen. In the ways I was sure could happen, anyway. All of the assessment pieces have now been modified or replaced (not allowed to change the learning objectives) and things are aligning much more constructively…

The last piece in the puzzle that I was really hoping to nut out in this third cycle is the establishment of threshold concepts for this unit.

A ‘threshold concept’ is the kind of concept that, once learned, cannot be unlearned.  Once we grasp a piece of threshold knowledge, we pass over a barrier into new territory, where everything is seen anew with different eyes.

In the (bazillion) Powerpoint presentations I sat through last year as a new academic, I picked up the importance of using a few well-chosen threshold concepts to drive a unit of work.  For teachers like me that prefer to use project-based and inquiry-based learning approaches, having a set of threshold concepts in mind that you want students to ‘get’ by the end of the experience looks to be an excellent anchor for lesson planning.  Although these concepts are related to the official learning objectives of the unit, they do serve a different kind of function…and I really want to settle on what mine are!

Until this week I was still struggling to come up with suitable concepts.

But now, I struggle NO MORE!

I have been working on a summary video for students to watch at the half-way point in semester, while I am away at a conference.  In the video I want to recap the main points learned from weeks 1-5 of the unit.  The process of trying to identify what the ‘big ideas’ were amongst all of the super important stuff we learned wasn’t easy.  But the process of having to present the ideas to my students (not just to my academic review panel at the end of this year…!) has really helped.

Which I guess just goes to show that even teachers need an authentic audience for their work.

Trying to keep the video short (under 5 minutes) also forced my hand – left to my own devices, I’m sure I could find plenty of threshold concepts, but you only need a few. The wording of what I’ve chosen isn’t quite right yet, but these are the six big points I have chosen:

  1. Your personal teacher identity is unique and reflects your personal experience, but will inevitably draw on many established philosophies and practices.
  2. In ‘English’ we study: semiotics, text and context.
  3. Language codes and conventions are socially constructed.
  4. Verbal/linguistic language is just one semiotic ‘code’; we also learn/teach audio, visual, spatial and gestural language.
  5. Literacy involves more than code breaking – we also make meaning, use texts functionally, and critique texts.
  6. Multiliteracies pedagogies are currently favoured in English curriculum theory.

I suspect this is still too many for 6 weeks, but there you go.  We’ll see.  Once I’ve finished the video I’ll post it up here on the blog. I still have to add the narration, but most of the images are in. I’m using Movie Maker and Audacity as my tools of the trade…I hope the students have time to watch the bloody thing! But even if they don’t, I’m glad I went through this process and am happy that I’ve found some threshold concepts to settle on, for now. And, with any luck, a shiny new resource at the end I can be proud of. Fingers crossed!

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