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Why #edutube?

Blog reader, welcome to the Next Thing that is pulling me back inexorably into a research space concerned with online learning.

In my last post I talked about/to the most excellent Sayraphim Lothian, who is on the verge of beginning a research degree at my uni (hopefully with me as the supervisor). Sayraphim is slaying the write up of the research ‘prologue’ over on the blog sayraphimlothian.com. We have both caught the #edutube fever, wanting to explore education/educational YouTube videos/creators etc. …you know, #edutube?

And I mean, that’s the problem-slash-wonderful thing about exploring YouTube that is being created and viewed in educational ways. To even pin down what I mean by that involves myriad semantic considerations. The ‘on YouTube’ bit is concisely defined and establishes one clear boundary. Excellent. But as for the rest…

When I say ‘edutube’ a typical question cascade sounds like this:

  • Are you meaning professional teachers who make videos, or anyone who is aiming to teach others through a video?
  • Does the education have to be intentional – what about when something is learned from a video on YouTube but the creator didn’t intend it, and maybe could not have anticipated it?
  • What is the difference between education and learning anyway?
  • Isn’t everything a potential learning experience? So are attempts to define what is ‘educational’ just exercises in gate-keeping?
  • By the way, schools are such gatekeepers, they are really bureaucratic and restrict learning in a lot of ways, don’t you think? Down with schools! YouTube has tutorials for everything!
  • jk. Platform capitalism might be a concern – do you think platforms like YouTube might be trying to create a global education market?
  • In what ways might professional teachers’ work be intersecting with new education markets?
  • Have you heard of flipped learning?
  • In what ways might we be productively redefining teaching and learning? Perhaps as personal and community practices, not only professional and institutional ones?
  • Can anyone be a teacher? What defines a teacher?
  • Is a teacher the same as an educator?
  • How is ‘education’ different to ‘educational’? Does that distinction provide a helpful boundary?
  • Will anyone be asking the students about any of this? #studentvoice

There is a striation that commonly interrupts this kind of question cascade: who owns teachers’ IP; what are the conflict of interest issues; who stands to profit from a hidden global curriculum that is defined by a corporation; have you heard the saying ‘if it’s free then you’re the product’? Technical and practical questions about legislation, policy and money. Interesting questions, ones that also interest me. But they aren’t as helpful for defining ‘edutube’.

So why edutube for me, why now?

Biographically, the answer is that it is a very natural progression for me in terms of my ongoing interest in social media and digital cultures. I was a teacher in the thick of the Digital Education Revolution and we lived and breathed this challenge: what can you do with these screens? We found out quickly the limits of that world, and how contingent those limitations were on things including: the state you taught in, the sector, the goals of the Regional Director, the attitudes of the school community (especially the Boss)… not to mention the damn battery life and lack of internet connection.

As far as I can tell, from my position in Brisbane, Australia at least, is that the answer to the challenge ‘what can you do with these screens?’ in education – both schools and higher education – is ‘take it slowly’. The hyper-connected PLN/PLE learning culture that we thought could be around the corner remains stymied by over-crowded curriculum and a culture that is fixated on standardised (you say ‘high standards‘, I say ‘one size fits all‘) pedagogy and assessment.

But I can’t help it – I’m still interested in screens.

One of the most popular screen media in my house is YouTube, I am already a participant in the culture. I’ve been making video for my own teaching for a long time, uploading my first (unlisted) teaching video to YouTube in 2012 – it was an assignment Q&A – and now maintaining a public-facing channel with a few uploads a year. I am a ‘creator’!

A creator. Look, here is another different word for teacher. Or would a better word for that be author? Wait I think I remember something about the medium being the message? Now we’re talking! My screen-based, education and English teacher worlds collide!

I’m only just piecing together the parts of my own research design. I won’t write the ethics application until next year after January break, but I think I want to start by looking at Australian teachers who make YouTube with the purpose of educating others. Just a few case studies, maybe alongside a wider survey?

If you want to keep talking about this, or just have an idea, reference or link to throw my way, drop by in the comments. I’d love to hear responses to any element of this post no matter how random.

Or… subscribe?

😉

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Game on (edutube study)

OK Sayraphim, you’ve set the scene for the project as an opening move. But two can play at the blog reboot game!

It gets easier every time.

So, #edutube is a go. The word is out. The claim, it’s staked. You will study it, and no matter what role I get to play, I am so here for this.

Here’s a lovely thing too – as a craftivist, I know you aren’t territorial. You are about making things and lifting people up, sharing, generosity and kindness. Well anyway, those are qualities I think you definitely have, and which other craftivist instagram feeds seem to project, so I am generalising a little about #allcraftivists. But I have a hunch that I’m generally right! So, ‘staking your claim’ is really more like you saying ‘folks, I’ve got this angle covered, you go work on other angles, tell me if I’m overlapping with you too much and I’ll get back in my lane; here if you need me though and let’s share all our toys, let’s quilt our ideas together, yay team!’

(Honestly, new friends we are meeting on Twitter now, you have given us such a warm welcome to the established/ing network for studying education + YouTube, I’m very grateful and glad to meet you, and excited to add a patch to the quilt!)

Here are three reasons why I am psyched to be along with you on this journey, as a friend, as a fellow Aussie edutube creator, and as a scholar:

  1. You have track record as both a nerd and a book author – I cannot wait to see you grow through next level, book-length nerding out, on an idea that has serious legs. You seem Ready.
  2. I love how research on this topic will contribute to the edutube community, and how it will be sensitive of Aussie/NZ/’southern’ contexts as well as humanities communicators/creators. As an Australian English teacher, it’s really cool to see you representing.
  3. I’m excited by the idea of problematising this space. Are these videos on these platforms about learning, or teaching? About PLNs/PLEs/connectivism in education? About networks or communities of practice? Affinity spaces? Can we find anything to generalise to all teaching videos streamed online, or is YouTube a distinct enough phenomenon to bind up a study? Is edutube a kind of alternative curriculum (I can’t wait to introduce you to the field of curriculum studies)?

As for what the thing even is…I change my mind all the time about what I think edutube is. It’s one of the reasons I held off posting my post-vidcon video about it in 2018 – yeah, I was short on time, but I also was not certain of the content. But hang it, right? I should just post it. As a welcome gift to you! It is a record of my thinking at a point in time.

[Spoiler alert: I think the reason it is so hard is the ‘edu’ bit. We can define the ‘tube’ two ways, or somewhere in between, that’s easy. Broad, like ‘screen media’ with roots in television/’tube’, or narrow, like the specific platform ‘YouTube’. But ‘edu’ is the hard bit. Defining that involves getting to the heart of what people think education is, what it’s for, and who it’s for. Also who gatekeeps it. You’ll have to develop a scholarly stance on all those fundamental questions – at some point. Not right away! But no joke big questions.]

So yeah, I find it hard to answer, “what is edutube?”. I find myself constantly having to reorient my perspective, from teacher to citizen. I suspect my instinct, as a long time educator in institutions, is to gatekeep – no matter how much I resent gatekeeping, I live and breathe the mechanisms that do it. But I am also critical of them and often resist them. So yes, at some point you will have to define ‘edutube’, and convince me of it, but when you can do that I will listen intently, because I’m eager to hear your fully considered opinion.

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To watch more of this unfold over on YouTube – like, comment or subscribe!

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The concept of praxis

For me, demands to attend to the concept of ‘praxis’ in my work come from two main directions – my English educator community, and my Arts education colleagues.

This post captures my current ways of understanding praxis in relation to my work.

  1. Doing praxis means you are basically in a constant state of action research: https://en.wikipedia.org/wiki/Praxis_(process)#Education
  2. Praxis describes practice that is informed by theory, not generally, but purposefully (and perhaps systematically?)
  3. Praxis is underpinned by the belief that theory is understood through its realisation in practice, that proof of and improvements to theory are found in application
  4. So basically, all your practice gets explicitly framed by theory (and it’s therefore interesting to notice the texts and contexts that this ‘explicit’ framing happens through…is this also self-governance? is action research actually a self-review and reporting cycle to check for theoretical ‘compliance’, to conduct strategic planning in line with ‘vision and mission’??)
  5. …and you can reflect on your theoretical position by observing and analysing it’s application in your teaching (requiring a personal plan or framework for collecting valid evidence)
  6. It’s part of the answer to “so can I just tip a can of paint on a canvas and call it art?” – no. Artistry responds to other art, to discourses. Teaching becomes ‘art’ when there are processes for reflection
  7. In Vis Arts the VAPD is offered as a technology that enables praxis – study art, respond and experiment, create new art, repeat. This process became internalised, the VAPD supported cultivation of a praxis mindset/discipline. What does English offer? What does ITE offer English PSTs?
  8. How do the ruling texts of an institution shape praxis? Good question. Thinking about this.

Questions that linger:

  • How does praxis differ from “reflective practice”? (is it because the later divorces the elements ‘reflection’ and ‘action’, when they should always both be
  • This reminds me of the Action in/on Reflection scholarship from my undergrad/accreditation contexts. How is this different to ‘praxis’? Is Reflection in/on practice just the language teachers need to comprehend and embark on praxis?
  • How do practitioner inquiry and action research methods facilitate ‘praxis’?
  • Does changing the discourse from ‘praxis’ to ‘reflection’ constrain teacher agency? i.e. maybe reflection can be limited to self-reflection e.g. to better meet KPIs, doesn’t necessarily involve system-reflection or critical reflection…or this is an artificial distinction (?)
  • Do I vibe with project based learning because it scaffolds praxis instead of practice?
  • How are the praxis intensives at Bianca’s school more praxis-y than PBL (I think she and I agreed they are not more or less praxis-y, just needed a different name)? Is it problematic to label the week-long intensive projects ‘praxis’ if the received meaning is that other pedagogies (e.g. PBL) do not require praxis?
  • When you practice you are a practitioner, when you praxis (do praxis?) you are a …? Praxitioner? (note to self: praxitioner as #medium)

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FIND! Australian education vocabularies

I thought I knew the Australian Curriculum for English almost inside out, but recently discovered a whole new box I had been leaving un-ticked.

It was the ScOT box.

What does ScOT stand for, you ask?

Schools Online Thesaurus.

If you go to their homepage (http://scot.curriculum.edu.au/) you can search for a relevant term to your field and see what you get. I searched for ‘literature’ and was directed to this:

Schools Online Thesaurus: http://scot.curriculum.edu.au/

…you can see some of the rabbit holes I’ve been down from there already.

I found such useful things in the thesaurus for the work I’m doing this week.

I also found the other data sets available in the Australian education vocabularies list:

aev

Australian education vocabularies: http://vocabulary.curriculum.edu.au/

For the English teachers still playing along – see ‘language modes’ in the list? Kinda specific thing to make a vocabulary about, I thought.

I clicked though and interestingly, the entry does not reflect all six language modes in the Australian Curriculum.

‘Creating’ has been left out.

aev lang modes

Australian education vocabularies – language modes: http://vocabulary.curriculum.edu.au/languageModes.html

Creating has been left out, despite being there plain as day in the Achievement Standards, the Aim, and the Glossary entry for ‘mode’ in English.

And there ends the list of all the things I needed to stop and show you.

Who I do I write to, to point this out?

Enjoy the thesaurus!

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Poet resource collection: Ali Alizadeh

Ali Alizadeh is a poet listed on the prescribed text list for the senior English/EAL courses in Queensland from 2019-2021.

He is an Iranian-Australian (Persian-Australian? would appreciate any correction in comments), currently living in Melbourne and working at Monash university.

Both my creative writing and my literary scholarship interrogate the collisions between the political, the personal and the historical. Radical subjectivity, philosophies of history and theories of art are of particular interest to me. (Alizadeh’s bio, July 2018)

I searched for some preliminary resources for teachers wanting to learn about Ali Alizadeh, and here is what I found:

I read in his uni bio that he has written three volumes of poetry, but the one that comes up consistently when searching his name is Ashes in the air (UQP, 2011):

The earlier two volumes are called:

eliXir: a story in poetry, Grendon Press, Mont Albert, 2002
Eyes in Times of War, Salt Publishing, Cambridge, UK, 2006

A sample of Alizadeh’s poetry (poem extract):

Yes, I understand
your language. I’ve been learning

the lexicon of my inferiority
from behind the bars. I now know

how to spell and pronounce
the terms of my slavery. Your shackles

are called Security; your war
Operation Freedom; your cluster bombs

food parcels for my children. O master,
I understand

(extract from ‘Your terrorist’ (2006) on Poetry International Web: https://www.poetryinternationalweb.net/pi/site/poem/item/14577)

An extract from Mokhtari’s Overland article:

What really does it for me about Alizadeh’s poetry is that his subject matter is important. These poems are unlikely to bore a reader who shies away from the overtly political because they also engage in everyday scenarios and experiences. Alizadeh’s poems about cultural displacement take a different approach from many other Australian poets who write on the same theme but tend to dwell in the realm of sentimentalism (a natural, valid treatment of the theme, but one which may risk alienating un-empathetic readers). It’s as though these poems have ‘gotten over it’ just enough to allow a more sophisticated depth of knowing and exploration of the subject through everyday representations, without compromising emotion.

If you know of other resources that would interest Queensland English teachers who are considering Alizadeh’s poetry for QCE study, please consider sharing your links/info in comments below. Thank you!

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Reporting phase: Semester 1 reflection

Vlogging project

In semester 1 this year (just finished!) I undertook making a few vlogs about my teaching experience as a lecturer at uni.

The results are here:

I’ll be using these vlog ‘reports’ as the source material for an end-of-semester reflection vlog. You are welcome to watch them in the meantime and add questions or ideas as comments to push my thinking.

Edu-tube community

One of the best parts of making these vlogs are the connections I am making with the Australian edu-tube community as I go. We have a decent sized Facebook group, a few of us are active on Twitter, and people are really good about watching and commenting on each others videos.

Some people are ‘teacher-tubers’, teachers who are currently working in schools and making YouTube videos about it (or for it). Others like me are educators from other contexts, from higher education, or community groups, the GLAM sector, public artists and art-based educators. We’re still feeling out the boundaries of this group, as a collective. It’s an energising space. A few of us are meeting up this year again at VidCon Australia.

One of my subscribers asked if I could make a video about how to do a 4-R style reflection, which I mentioned in one of the vlogs. This is definitely something I want to get to before semester 2 starts.

In the meantime, if you want to watch me trying to capture some teaching practice, be my guest:

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Announcing: Book project!

English for Queensland (OUP) – Book cover and preview

After many months of sweat, sleepless nights and tears, I am excited to announce that a book I have co-authored with Lindsay Williams and Sophie Johnson will be out later this year through Oxford University Press. English for Queensland Units 1 & 2.

Book 1 this year is a student workbook for Units 1 and 2 (year 11) of the English senior syllabus in Queensland.

Book 2 next year will be for Units 3 and 4 (year 12).

(I know, I’m not supposed to say year 11 and year 12, but I’m not ready to give them up!)

It’s always a bit funny to publish work for a profit when you are so used to giving things away, as a rule. The good news is that I have so many resource and planning ‘offcuts’ from this book project that I still have plenty to share freely in the network!

No reflection other than that. Just a proud-moment post for a project that took a lot of creative energy and is edging toward ‘tangible product’ stage!

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